1 00:00:06,174 --> 00:00:08,084 ( theme music playing ) 2 00:01:38,432 --> 00:01:41,302 ( waves softly crashing ) 3 00:02:21,942 --> 00:02:24,142 ( phone ringing ) 4 00:02:34,355 --> 00:02:36,015 YOU KNOW, I'D WANT TO TELL YOU SOME THINGS 5 00:02:36,123 --> 00:02:38,433 IF YOU'D WANT TO LISTEN. 6 00:02:39,827 --> 00:02:42,157 HELLO. 7 00:02:44,064 --> 00:02:47,504 STOP. SHUT UP. WHATEVER YOU WANT, YOU'RE NOT GETTING IT. 8 00:02:47,601 --> 00:02:50,201 WHEREVER YOU ARE, FUCKING STAY THERE 9 00:02:50,304 --> 00:02:52,314 AND LEAVE US ALONE! 10 00:02:52,406 --> 00:02:54,166 - ( phone beeps ) - ( Cissy panting ) 11 00:02:54,275 --> 00:02:56,505 ( car engine starts ) 12 00:02:57,478 --> 00:02:59,408 OH, COME ON, CISSY, DON'T. 13 00:02:59,513 --> 00:03:01,853 - COME ON! - ( tires squealing ) 14 00:03:01,949 --> 00:03:04,919 IS SHE HERE? IS SHE HERE? 15 00:03:09,189 --> 00:03:11,289 WHAT'S GOING ON? 16 00:03:12,860 --> 00:03:15,660 ( tires screech ) 17 00:03:18,332 --> 00:03:21,342 - 14 YEARS LATE. - WHO JUST PEELED OUT OF HERE? 18 00:03:23,437 --> 00:03:25,667 SHAUN, GET DRESSED. YOU'RE GOING TO WORK WITH ME TODAY. 19 00:03:25,773 --> 00:03:27,243 I'M SUPPOSED TO SURF WITH SAMMY. 20 00:03:27,341 --> 00:03:29,011 COME ON! GET DRESSED. 21 00:03:29,109 --> 00:03:32,009 JUST DO WHAT YOUR GRANDMOTHER SAYS, SHAUN. 22 00:03:32,112 --> 00:03:34,682 ( sighs ) 23 00:03:34,782 --> 00:03:37,252 YOU WANT TO TELL ME WHAT THE HELL IS HAPPENING? 24 00:03:38,286 --> 00:03:40,086 WHAT'S HAPPENING... 25 00:03:40,187 --> 00:03:41,717 IS THE B-SIDE BOMBSHELL 26 00:03:41,822 --> 00:03:43,862 HAS DECIDED SHE COULD MAKE MORE OFF OF SHAUN 27 00:03:43,957 --> 00:03:45,657 THAN IN PORN. 28 00:03:45,759 --> 00:03:47,699 - THAT WAS TINA ON THE PHONE? - YEAH, 29 00:03:47,795 --> 00:03:49,925 AND IN THE GUINEA-RED MUSTANG OUTSIDE. 30 00:03:51,899 --> 00:03:55,869 IF SHE THINKS SHE IS GETTING HIM AWAY FROM ME... 31 00:03:55,969 --> 00:03:58,269 ( grunts ) SHE'S TAKEN ONE TOO MANY MONEY SHOTS. 32 00:03:59,673 --> 00:04:02,143 PUT THOSE SHOES ON, SHAUN. WE'RE GETTING OUT OF HERE. 33 00:04:02,242 --> 00:04:04,012 - I WANT TO HAVE SOME CEREAL. - COME ON! 34 00:04:04,111 --> 00:04:05,811 LET'S GO. 35 00:04:07,748 --> 00:04:10,118 ( door closes ) 36 00:04:10,217 --> 00:04:12,317 ( toilet flushing ) 37 00:04:23,664 --> 00:04:25,504 SEE, JOHN, THAT FREAKS ME OUT-- 38 00:04:25,599 --> 00:04:27,869 YOU STANDING THERE, JUST STARING. 39 00:04:30,771 --> 00:04:32,641 DO YOU LISTEN TO ME WHEN I'M IN THERE? 40 00:04:32,740 --> 00:04:34,910 I LISTEN TO YOU. 41 00:04:37,177 --> 00:04:39,947 WORK HERE, CASS. 42 00:04:41,349 --> 00:04:43,579 HERE, IN MY HOTEL ROOM 43 00:04:43,684 --> 00:04:46,054 THAT I HAVE NO MONEY TO PAY FOR? 44 00:04:46,153 --> 00:04:47,523 I WILL HAPPILY WORK, JOHN, 45 00:04:47,621 --> 00:04:50,361 IF YOU EXPLAIN TO ME WHAT YOU MEAN. 46 00:04:50,458 --> 00:04:54,998 - WORK HERE. - HERE... IN MY WORK AREA? 47 00:04:55,095 --> 00:04:58,695 WITH YOUR TOWELS ON MY BARRIER? 48 00:04:59,633 --> 00:05:01,273 HUH? HOW'S THIS, JOHN? 49 00:05:01,369 --> 00:05:03,299 YOU LIKE THIS LOOK? ( ululates ) 50 00:05:03,404 --> 00:05:05,874 FUCKIN' TOWELHEADS ARE GONNA GET THEMSELVES ERADICATED. 51 00:05:10,511 --> 00:05:13,711 I'M BROKE, JOHN. OKAY? 52 00:05:13,814 --> 00:05:16,284 I AM NOT AVERSE TO WORK, I BELIEVE IN IT. 53 00:05:16,384 --> 00:05:18,654 I BELIEVE IN PAYING MY DEBTS. 54 00:05:18,752 --> 00:05:20,292 I'LL BE PAYING ON MY STUDENT LOANS 55 00:05:20,388 --> 00:05:21,858 WHEN I'M ON SOCIAL SECURITY. 56 00:05:23,791 --> 00:05:28,201 ALSO, LIKE EVERYONE ELSE, I HAVE ISSUES AROUND MONEY. 57 00:05:28,295 --> 00:05:30,855 IT'S PROBABLY A HOLDOVER FROM MY CHILDHOOD 58 00:05:30,964 --> 00:05:33,774 WHEN MY POP, HE'D LEAVE FOR WORK AND THEN THREE DAYS LATER 59 00:05:33,867 --> 00:05:36,197 WE'D GET A CALL ASKING TO WIRE HIM BUS FARE HOME... 60 00:05:36,303 --> 00:05:39,013 FROM LAS VEGAS. 61 00:05:41,442 --> 00:05:43,442 IN SUMMARY, JOHN, 62 00:05:43,544 --> 00:05:46,684 I AM NO LONGER ABLE TO TRADE ON MY SEX 63 00:05:46,780 --> 00:05:48,980 AND I NEED TO MAKE SOME MONE. 64 00:05:52,052 --> 00:05:54,052 YOU NEED YOUR CAMERA, CASS. 65 00:05:57,324 --> 00:06:00,764 IT'S SAFE, JOHN. IT'S IN THE TRUNK OF MY CAR. 66 00:06:08,368 --> 00:06:10,498 UNLESS LINC'S HAD IT REPOSSESSED. 67 00:06:13,106 --> 00:06:14,776 ( bird squawks ) 68 00:06:17,811 --> 00:06:19,511 ( squawks ) 69 00:06:20,848 --> 00:06:23,278 LISTEN TO ME. LISTEN TO ME. LISTEN TO ME! 70 00:06:23,383 --> 00:06:25,293 DO NOT CONFUSE... 71 00:06:25,385 --> 00:06:28,185 MY ADMITTING A MISTAKE-- LIKE A GENTLEMAN-- 72 00:06:28,288 --> 00:06:30,518 WITH A CHECK MADE OUT TO YOU 73 00:06:30,624 --> 00:06:32,734 TO SUBSEQUENTLY GO BERSERK. 74 00:06:36,396 --> 00:06:37,926 ( squawking ) 75 00:06:39,433 --> 00:06:42,403 YES. I GOT ALONG WITH THE HAWAIIAN, ZIPPY. 76 00:06:42,503 --> 00:06:44,573 26 YEARS IN LAW ENFORCEMENT, 77 00:06:44,672 --> 00:06:47,312 I AM ABLE TO COEXIST WITH SHITHEELS. 78 00:06:47,407 --> 00:06:49,437 THE SUBJECT YOU RAISE NOW 79 00:06:49,543 --> 00:06:51,343 CONCERNS A DIFFERENT KETTLE OF FISH. 80 00:06:51,445 --> 00:06:52,975 ( squawks ) 81 00:06:53,080 --> 00:06:56,350 AND FOR ALL WE KNOW, HE MAY BE A FISH, THIS JOHN. 82 00:06:56,450 --> 00:06:58,550 "I'VE GOT MY FISHEYE ON YOU." 83 00:06:58,652 --> 00:07:01,892 ( thunder rumbling ) 84 00:07:05,258 --> 00:07:08,058 ( squawks ) 85 00:07:08,161 --> 00:07:10,331 SO THIS ISN'T AN EVENHANDED BACK AND FORTH. 86 00:07:10,430 --> 00:07:12,370 THIS IS ME ON THE RECEIVING END 87 00:07:12,466 --> 00:07:15,666 OF YOU DELIVERING UNALTERABLE INSTRUCTIONS. 88 00:07:15,769 --> 00:07:17,839 THEN WE CAN SAVE TIME AND ARGUMENTATION. 89 00:07:17,938 --> 00:07:19,608 EXCUSE ME WHILE I TAKE A PISS. 90 00:07:19,707 --> 00:07:21,507 IF YOU HAVE AN OBJECTION, 91 00:07:21,609 --> 00:07:23,139 I'M SURE YOU CAN CONVEY IT SILENTLY 92 00:07:23,243 --> 00:07:25,313 - ONCE I GET MY STREAM GOING... - ( squawks ) 93 00:07:25,412 --> 00:07:27,282 ...AND THEREBY SHUT THAT DOWN TOO! 94 00:07:27,380 --> 00:07:29,850 - JESUS CHRIST, JESUS CHRIST, JESUS CHRIST! - ( squawks ) 95 00:07:39,292 --> 00:07:41,562 THIS'LL PASS IN A HEARTBEAT. 96 00:07:44,031 --> 00:07:46,571 YOU DON'T WANT TO GO BANDYING THAT SHIT ABOUT. 97 00:07:48,301 --> 00:07:49,741 WHAT DO YOU MEAN? 98 00:07:49,837 --> 00:07:51,637 JUST ASK THE GIRL-- MARIE-- 99 00:07:51,739 --> 00:07:54,509 ON BANDYING ABOUT MY... 100 00:07:54,608 --> 00:07:56,638 SLEEP TALK. 101 00:07:56,744 --> 00:08:00,154 - SLEEP TALK? - YEAH. 102 00:08:00,247 --> 00:08:03,417 SHE'S GOT FIVE OR SIX RESTING PLACES ON THE BIG ISLAND. 103 00:08:03,517 --> 00:08:06,787 DIG HER UP AND ASK. 104 00:08:06,887 --> 00:08:09,787 THE OTHER NIGHT, I HEARD YOU TALKING IN YOUR SLEEP, RIGHT? 105 00:08:11,291 --> 00:08:13,191 "IS TWO DAYS OFF A CRIME? 106 00:08:13,293 --> 00:08:16,103 DO I NEVER GET TO FUCKIN' RELAX?" 107 00:08:16,196 --> 00:08:19,196 WHEN ARE YOU GONNA TAKE THE PICTURES OF YOUR WRIST? 108 00:08:19,299 --> 00:08:20,669 OH, UH... 109 00:08:20,768 --> 00:08:22,498 YOU KNOW, I'M HESITANT. 110 00:08:22,603 --> 00:08:25,513 YOU KNOW? PHYSICIANS, THEY-- THEY TOSS IT OFF. 111 00:08:25,606 --> 00:08:28,206 "GET YOURSELF AN X-RAY," LIKE "NEXT LIGHT GO LEFT," 112 00:08:28,308 --> 00:08:31,208 'CAUSE THEY NEVER HIT NO BUMPS ON LIFE'S HIGHWAY, RIGHT, BOSS? 113 00:08:32,880 --> 00:08:34,920 FELLAS LIKE US, INFORMATION BALL GETS ROLLING, 114 00:08:35,015 --> 00:08:37,715 NEXT THING YOU KNOW WE'RE DEAD IN AN AVALANCHE-- 115 00:08:37,818 --> 00:08:39,648 WANTS, WARRANTS, FAILURES TO APPEAR. 116 00:08:39,753 --> 00:08:41,523 JUST REMEMBER WHAT I SAID... 117 00:08:41,622 --> 00:08:43,692 THAT OTHER THING. 118 00:08:44,692 --> 00:08:46,232 BELIEVE ME, IT'S RECORDED... 119 00:08:47,895 --> 00:08:49,695 IN HERE. 120 00:08:49,797 --> 00:08:52,297 "YOU WANT TO WIND UP LIKE MARIE? 121 00:08:52,399 --> 00:08:54,899 FIVE PIECES." 122 00:09:04,845 --> 00:09:07,145 I'M NOT PULLING OUT THIS TIME. 123 00:09:09,683 --> 00:09:11,223 IT ENDS TODAY, ERNIE... 124 00:09:14,121 --> 00:09:16,391 IN THIS PLACE. 125 00:09:16,489 --> 00:09:19,889 I CAN GIVE YOU A SODA OR A CLAMATO, JOE, 126 00:09:19,993 --> 00:09:23,463 BUT I CAN'T SERVE YOU LIQUOR AT ALL, 127 00:09:23,563 --> 00:09:26,373 NOT AS LONG AS YOU'RE HOLDING THAT GUN. 128 00:09:26,466 --> 00:09:29,736 WHY WOULD YOU WANT TO MAKE MY STORY 129 00:09:29,837 --> 00:09:31,437 THE PUNCH LINE OF YOUR PRACTICAL JOKE? 130 00:09:31,538 --> 00:09:33,668 WHY, ERNIE? 131 00:09:33,774 --> 00:09:36,684 - I DIDN'T, JOE. - HE KNEW I WAS BEHIND 132 00:09:36,777 --> 00:09:38,507 WITH MY BOOT OFF 133 00:09:38,612 --> 00:09:42,052 SQUEEZING PUSS OUT OF WHERE THAT PUNJI STICK WENT THROUGH MY FOOT. 134 00:09:42,149 --> 00:09:44,819 - WHO DID? - THIS GUY YOU PUT OUT THERE 135 00:09:44,918 --> 00:09:47,418 TO MAKE ME THINK HE WAS WOUNDED SO BAD 136 00:09:47,520 --> 00:09:49,590 AND PRETEND I BROUGHT HIM BACK. 137 00:09:51,124 --> 00:09:54,164 I NEVER REPEATED YOUR STORY TO ANYONE, JOE. 138 00:09:54,261 --> 00:09:57,101 UM... I DON'T BELIEVE YOU EVER TOLD US. 139 00:09:58,165 --> 00:10:00,525 YOU-- I TOLD YOU. 140 00:10:00,634 --> 00:10:02,744 I DON'T BELIEVE SO. 141 00:10:03,871 --> 00:10:06,311 Toy: Go fuck yourself! 142 00:10:06,406 --> 00:10:08,436 - Shit for brains! - WOULD YOU TAKE THAT OUTSIDE? 143 00:10:08,541 --> 00:10:10,511 THIS ISN'T FUNNY? 144 00:10:10,610 --> 00:10:13,580 - Toy: Ass licker! - YEAH WELL, MAKE IT FUNNY OVER AT THE NO NAME. 145 00:10:13,681 --> 00:10:15,681 Toy: Fuckin' idiot! 146 00:10:15,783 --> 00:10:18,793 I ALWAYS CARED MORE ABOUT MY FEET THAN I SHOULD HAVE. 147 00:10:18,886 --> 00:10:21,486 WELL, AN INFANTRY MAN'S FEET 148 00:10:21,588 --> 00:10:23,588 ARE AS IMPORTANT AS HIS WEAPON. 149 00:10:23,691 --> 00:10:25,861 I COULDN'T HELP... 150 00:10:27,695 --> 00:10:29,425 CHARLIE C OR... 151 00:10:29,529 --> 00:10:31,259 PENCILHEAD, 152 00:10:32,265 --> 00:10:34,665 SLOWDUMP. 153 00:10:34,768 --> 00:10:37,268 - NONE OF 'EM. - I'LL BET MY DAUGHTER'S EYES 154 00:10:37,370 --> 00:10:39,810 YOU DID EVERYTHING YOU COULD. 155 00:10:41,809 --> 00:10:44,309 ( sobbing ) OH GOD, FORGIVE ME. 156 00:10:44,411 --> 00:10:46,851 YOU WANT ME TO HOLD THAT? 157 00:10:52,185 --> 00:10:54,245 I'M NOT GONNA USE IT. 158 00:10:57,424 --> 00:10:59,294 I GUESS... 159 00:10:59,392 --> 00:11:02,502 HOWEVER HIM I FOUND KNEW, 160 00:11:02,595 --> 00:11:04,355 YOU DIDN'T TELL HIM. 161 00:11:05,465 --> 00:11:07,595 NO. 162 00:11:07,701 --> 00:11:09,341 I SHOULD'VE TOLD YOU. 163 00:11:23,250 --> 00:11:25,790 - WHERE IS FUCKING KAI? - I DON'T KNOW. 164 00:11:25,886 --> 00:11:28,016 JESUS CHRIST! 165 00:11:29,923 --> 00:11:31,523 ALL RIGHT. YOU STAY IN THE STORE. 166 00:11:31,624 --> 00:11:33,494 YOU KEEP THE DOORS LOCKED. 167 00:11:33,593 --> 00:11:36,633 - WHO WAS IT OUTSIDE THE HOUSE? - YOU DO NOT OPEN THE DOOR FOR ANYBODY. 168 00:11:36,730 --> 00:11:39,930 - REPORTERS? - JUST DON'T OPEN THE GODDAMNED DOOR UNLESS IT'S KAI. 169 00:11:40,033 --> 00:11:41,903 WHAT IF THEY TRY TO GET IN? 170 00:11:42,002 --> 00:11:44,442 DID YOU HEAR WHAT I SAID, SHAUN? 171 00:11:45,705 --> 00:11:47,705 DO YOU UNDERSTAND ME? 172 00:11:49,209 --> 00:11:51,009 I'M NEVER GONNA GET TO SURF ANYMORE. 173 00:11:51,111 --> 00:11:53,211 WELL, THAT SHOULD BE THE WORST OF OUR PROBLEMS. 174 00:11:58,518 --> 00:12:00,818 HAVE I... EVER HIT YOU? 175 00:12:02,389 --> 00:12:05,489 - NO. - IF I HIT YOU, YOU'LL KNOW IT. 176 00:12:05,592 --> 00:12:08,202 ( keys jangling ) 177 00:12:08,295 --> 00:12:10,855 ( door opens, closes ) 178 00:12:36,289 --> 00:12:37,989 Linc: HE STOPPED TO CHECK THE TIME. 179 00:12:38,091 --> 00:12:41,131 GANGBANGERS MESSED UP HIS BRIEFCASE. 180 00:12:42,562 --> 00:12:44,972 DO YOU LIKE YOUR NEW CLOTHES FROM THE GIFT SHOP? 181 00:12:45,065 --> 00:12:46,725 I LIKE MY NEW CLOTHES. 182 00:12:46,834 --> 00:12:48,774 DO YOU THINK THEY BOUGHT THEMSELVES? 183 00:12:49,769 --> 00:12:51,239 OH, FUCK. 184 00:12:53,306 --> 00:12:56,576 SO, DID YOU GET YOUR END NEAR THE LADY, MY BROTHER? 185 00:12:56,676 --> 00:12:59,046 I GOT MY END NEAR THE LADY, MY BROTHER. 186 00:12:59,146 --> 00:13:01,206 I BONED HER AND BROKE HER JAW. 187 00:13:01,314 --> 00:13:03,424 DAMN, I'LL HAVE TO GIVE HER A COMBAT BONUS. 188 00:13:06,753 --> 00:13:08,793 DOES SHE WORK FOR YOU? 189 00:13:09,789 --> 00:13:11,959 ARE YOU WORKING? 190 00:13:12,059 --> 00:13:15,329 LINC'S GONNA HAVE TO GIVE YOU A COMBAT BONUS, CASS. 191 00:13:17,564 --> 00:13:19,974 OH, YEAH? 192 00:13:20,067 --> 00:13:21,697 WELL, LINC CAN TAKE HIS COMBAT BONUS 193 00:13:21,801 --> 00:13:24,071 AND SHOVE IT UP HIS ASS. 194 00:13:36,316 --> 00:13:37,946 KAI! 195 00:13:38,051 --> 00:13:39,951 GET TO THE SHOP! 196 00:13:40,053 --> 00:13:42,023 I'M SORRY ABOUT YESTERDAY! 197 00:13:42,122 --> 00:13:44,062 ME AND BUTCHIE WENT LOOKING FOR JOHN. 198 00:13:44,157 --> 00:13:46,857 SHUT UP AND GET DOWN THERE 199 00:13:46,960 --> 00:13:49,130 AND KEEP AN EYE ON SHAUN! 200 00:13:49,229 --> 00:13:52,529 - WHERE SHOULD I PICK HIM UP? - HE'S THERE NOW! 201 00:13:52,632 --> 00:13:54,972 LOCK THE DOOR BEHIND YOU! 202 00:13:55,068 --> 00:13:58,068 DON'T LET ANYBODY IN! 203 00:13:58,171 --> 00:14:01,941 THAT PORNO SLUT WHO MADE SHAUN 204 00:14:02,042 --> 00:14:04,082 WITH MY SCUMBAG SON 205 00:14:04,177 --> 00:14:06,807 AND LEFT HIM ON MY DOORSTEP 206 00:14:06,914 --> 00:14:09,584 FOR ME TO RAISE 207 00:14:09,682 --> 00:14:11,452 IS BACK IN I.B.! 208 00:14:11,551 --> 00:14:14,321 DON'T LET ANYBODY IN! 209 00:14:14,421 --> 00:14:16,721 SHE MIGHT HAVE HIRED A LAWYER 210 00:14:16,823 --> 00:14:18,833 TO SERVE PAPERS! 211 00:14:18,926 --> 00:14:22,396 I'M GOING HOME SO THAT IF SHE COMES BACK 212 00:14:22,495 --> 00:14:26,365 I WILL BE THERE TO PUT A BULLET IN HER HEART! 213 00:14:28,668 --> 00:14:31,568 - ( both whispering ) I'LL SEE YOU LATER. - UNBELIEVABLE. 214 00:14:31,671 --> 00:14:34,371 FUCKING TINA, THAT LOSER BITCH. 215 00:14:34,474 --> 00:14:36,814 HEY, BUTCHIE, THE LESS YOU SAY NOW, 216 00:14:36,910 --> 00:14:38,650 THE LESS YOU HAVE TO TAKE BACK. 217 00:14:54,494 --> 00:14:56,804 YOU WORK HERE A LOT? 218 00:14:56,896 --> 00:14:58,466 EVERY 15 YEARS. 219 00:14:59,832 --> 00:15:02,702 I'LL TELL YOU SOMETHING FUCKED UP. 220 00:15:02,802 --> 00:15:06,372 - IT'LL COST YOU AN EXTRA $500. - I'M HAVING A LITTLE TROUBLE BREATHING. 221 00:15:06,473 --> 00:15:08,213 HAVING PAIN IN MY CHEST. 222 00:15:08,308 --> 00:15:09,838 HAVE YOU GOT HEART PROBLEMS? 223 00:15:09,943 --> 00:15:11,743 NOT THAT I KNOW ABOUT. 224 00:15:11,844 --> 00:15:13,454 FUCK. 225 00:15:18,085 --> 00:15:20,285 I PUT FRAT BOY INTO MY TRUCK... 226 00:15:22,122 --> 00:15:24,192 HE TOOK MY HAND TO HIS BELLY... 227 00:15:25,758 --> 00:15:27,658 AND SAID I COULD HELP. 228 00:15:29,796 --> 00:15:32,026 AND IF I WASN'T WASTED, 229 00:15:32,132 --> 00:15:34,232 OR IT WASN'T A JOKE... 230 00:15:36,736 --> 00:15:38,566 I DID. 231 00:15:40,007 --> 00:15:42,337 HE TOOK MY HAND TO HIS BELLY... 232 00:15:44,544 --> 00:15:46,354 AND HE HEALED. 233 00:15:51,351 --> 00:15:53,721 ( laughing ) WHAT DO YOU THINK ABOUT THAT? 234 00:15:59,459 --> 00:16:02,229 - WHAT HAPPENED? - HE ONLY HIT THE PAPERS YESTERDAY. 235 00:16:02,329 --> 00:16:04,959 THERE WAS NO WAY SHE WAS KEEPING TRACK OF HIM BEFORE THAT 236 00:16:05,065 --> 00:16:06,665 TILL THERE WAS SOMETHING IN IT FOR HER. 237 00:16:06,766 --> 00:16:09,936 SO SHE DOES NOT KNOW WE HAVE A SHOP-- THE PORN QUEEN-- 238 00:16:10,037 --> 00:16:11,637 SO THAT IS WHERE I LEFT HIM. 239 00:16:11,738 --> 00:16:15,178 WITH KAI? 240 00:16:15,275 --> 00:16:18,745 I GOT HER OUT OF THE TRAILER TO GO TO THE SHOP 241 00:16:18,845 --> 00:16:20,705 TO KEEP SHAUN COMPANY. 242 00:16:21,981 --> 00:16:23,751 NOW LET THAT BITCH COME BACK HERE. 243 00:16:23,850 --> 00:16:25,790 DO NOT SMOKE IN HERE, CISSY. 244 00:16:25,885 --> 00:16:27,445 JESUS CHRIST! 245 00:16:32,859 --> 00:16:35,499 - I LEVITATED. - WHAT? 246 00:16:35,595 --> 00:16:37,455 LISTEN, IT WASN'T A HALLUCINATION 247 00:16:37,564 --> 00:16:39,904 LIKE WE-- LIKE WE THOUGHT WHEN WE TALKED BEFORE-- 248 00:16:39,999 --> 00:16:42,339 ME BEING UP IN THE AIR. 249 00:16:42,435 --> 00:16:45,205 SO WHAT ABOUT THE FASCINATING INFECTED-SINUS THEORY? 250 00:16:45,305 --> 00:16:47,935 CISSY, THE LEVITATION WAS WITNESSED. 251 00:16:48,041 --> 00:16:50,641 AND WHAT DID THE WITNESS SAY, MITCH, 252 00:16:50,743 --> 00:16:53,183 "WHATEVER"? 253 00:16:55,548 --> 00:16:57,818 - FORGET IT. - WELL, THANKS FOR THE OKAY ON THAT. 254 00:16:57,917 --> 00:16:59,547 LET'S SEE HOW LONG IT TAKES ME. 255 00:16:59,652 --> 00:17:01,122 THERE. DONE. 256 00:17:01,221 --> 00:17:03,221 YOU KNOW, IF-- IF YOU'D LET ME FINISH, 257 00:17:03,323 --> 00:17:06,633 I WAS GONNA SUGGEST THAT MAYBE THERE'S SOME CONNECTION-- 258 00:17:06,726 --> 00:17:08,896 YOU'RE A JERK. 259 00:17:08,995 --> 00:17:11,025 INSTEAD OF FLOATING, I WISH YOU COULD FLY 260 00:17:11,131 --> 00:17:14,231 500 MILES AN HOUR INTO A FUCKING BRICK WALL! 261 00:17:16,136 --> 00:17:18,066 YOU KNOW WHAT? NOT IN HERE. 262 00:17:18,171 --> 00:17:20,211 GIVE ME FUCKING CIGARETTES! 263 00:17:20,307 --> 00:17:22,977 THAT WHORE... IS COMING FOR SHAUN! 264 00:17:23,076 --> 00:17:25,446 THAT DOESN'T GIVE YOU THE RIGHT TO POISON ME. 265 00:17:25,545 --> 00:17:28,375 GET OUT THEN. GET THE FUCK OUT OR I WILL POISON YOU. 266 00:17:28,481 --> 00:17:30,981 OKAY, GO SMOKE IN THE HOUSE. 267 00:17:31,084 --> 00:17:32,794 YOU'LL SEE ME WALKING DOWN THE DRIVEWAY. 268 00:17:32,885 --> 00:17:36,255 NO. YOU GET OUT. 269 00:17:36,356 --> 00:17:38,726 CISSY, I'M JUST GONNA BE A MINUTE. 270 00:17:41,361 --> 00:17:43,401 I'M GONNA PRAY FOR YOU. 271 00:17:51,938 --> 00:17:53,338 ( rock music playing ) 272 00:17:58,811 --> 00:18:01,051 ( coughs ) 273 00:18:01,148 --> 00:18:04,078 JEEZ, I WONDER WHO'S SMOKING REEFER. 274 00:18:06,553 --> 00:18:08,863 SHAUN, ARE YOU TRYING TO GET THE PLACE SHUT DOWN? 275 00:18:08,955 --> 00:18:10,785 WHO'S GONNA CATCH ME? 276 00:18:10,890 --> 00:18:12,630 GRAM SAID DON'T LET ANYONE IN. 277 00:18:31,178 --> 00:18:33,908 CAN WE GET OUT OF HERE? 278 00:18:34,013 --> 00:18:35,753 GO TO BLACK'S OR SOMETHING? 279 00:18:37,417 --> 00:18:40,117 I CAN HIDE IN THE BACK OF THE CAR UNTIL WE GET OUT OF TOWN. 280 00:18:40,220 --> 00:18:42,420 NO, NOT RIGHT NOW. 281 00:18:43,923 --> 00:18:46,163 WHY? 282 00:18:47,860 --> 00:18:50,160 I'M NO GOOD AT PUTTING SHIT INTO WORDS, SHAUNIE. 283 00:18:50,263 --> 00:18:52,633 SOMETIMES IT TAKES STICKING AROUND TO GIVE THINGS 284 00:18:52,732 --> 00:18:54,772 A CHANCE TO WORK OUT. 285 00:18:58,238 --> 00:19:00,538 ( sighs ) WE'RE GONNA OPEN FOR BUSINESS. 286 00:19:01,908 --> 00:19:04,838 AND YOU'RE GONNA HANG HERE AND NOT GIVE ME ANY GRIEF. 287 00:19:16,889 --> 00:19:18,889 BETTER? 288 00:19:21,093 --> 00:19:23,203 YEAH. YEAH, A LITTLE BETTER, BUT-- 289 00:19:24,030 --> 00:19:26,000 OH, FUCK ME-- 290 00:19:26,098 --> 00:19:28,338 FEEL HOW WET MY FOREHEAD IS. 291 00:19:38,010 --> 00:19:39,480 WHAT ARE YOU DOING? 292 00:19:39,579 --> 00:19:41,379 I'M WETTING A WASHCLOTH. 293 00:19:41,481 --> 00:19:43,681 ( water running ) 294 00:19:46,018 --> 00:19:48,218 ( sighs ) 295 00:20:02,702 --> 00:20:04,802 HOW DO YOU FEEL? 296 00:20:06,005 --> 00:20:09,305 UH, BETTER. DEFINITELY BETTER. 297 00:20:11,043 --> 00:20:13,183 BREAKS MY HEART, BUT... 298 00:20:13,280 --> 00:20:14,980 GONNA HAVE TO PASS ON THE SEX. 299 00:20:18,451 --> 00:20:20,551 WE DON'T GIVE REFUNDS. 300 00:20:27,794 --> 00:20:30,764 YOU WANT ME TO LEAVE YOU A MIDOL? 301 00:20:30,863 --> 00:20:32,933 NO, I'M GOOD. 302 00:20:35,067 --> 00:20:37,197 WHAT'S YOUR NAME? 303 00:20:37,304 --> 00:20:39,374 TINA BLAKE. 304 00:20:40,873 --> 00:20:42,713 REALLY? 305 00:20:45,412 --> 00:20:47,452 I'M SUPPOSED TO BELIEVE YOU DIDN'T KNOW? 306 00:20:48,815 --> 00:20:50,975 HONEST TO GOD... 307 00:20:51,083 --> 00:20:52,553 I NEVER LET MYSELF WATCH PORN, 308 00:20:52,652 --> 00:20:54,722 OTHERWISE I'D NEVER DO ANYTHING ELSE. 309 00:20:57,223 --> 00:20:59,993 I FEEL LIKE I'M MEETING BABE RUTH. 310 00:21:01,428 --> 00:21:03,298 DID HE FUCK A LOT OF PEOPLE AT ONCE? 311 00:21:05,798 --> 00:21:07,798 I'M LINC STARK. 312 00:21:11,203 --> 00:21:13,313 I FEEL LIKE I'M MEETING BABE RUTH. 313 00:21:32,124 --> 00:21:33,594 YEAH, JUST TO LET YOU KNOW, 314 00:21:33,693 --> 00:21:35,833 WHEREVER YOU'RE BEING USELESS AT THE MOMENT, 315 00:21:35,928 --> 00:21:37,658 THAT PIECE OF TRASH YOUR SON CAME OUT OF 316 00:21:37,764 --> 00:21:39,904 IS BACK IN I.B. 317 00:21:55,515 --> 00:21:57,375 I HOPE YOU'RE FUCKIN' HAPPY. 318 00:22:13,566 --> 00:22:15,866 ( car starts ) 319 00:22:22,308 --> 00:22:24,338 ( chattering ) 320 00:22:39,058 --> 00:22:40,858 ( Indian music playing ) 321 00:22:45,932 --> 00:22:48,442 ( bell ringing ) 322 00:22:49,469 --> 00:22:51,499 ( crowd chattering ) 323 00:23:03,783 --> 00:23:06,423 DID HE RAG ON ME ALL THE TIME? 324 00:23:06,519 --> 00:23:09,189 TURN ME INTO A DARTBOARD? 325 00:23:09,288 --> 00:23:11,458 I NEVER HEARD HIM SAY YOUR NAME. 326 00:23:13,292 --> 00:23:15,562 'CAUSE HE LOVED ME SO MUCH. 327 00:23:15,662 --> 00:23:17,332 KNOWING BUTCHIE... 328 00:23:17,430 --> 00:23:20,000 THAT PROBABLY WOULD BE WHY. 329 00:23:20,099 --> 00:23:23,169 - BULLSHIT. - BULLSHIT? 330 00:23:23,269 --> 00:23:26,269 10 PEOPLE IN A ROOM, BUTCHIE TALKS TO NINE OF 'EM. 331 00:23:26,372 --> 00:23:28,172 WHO DOES HE WANT TO MEET? 332 00:23:36,683 --> 00:23:39,253 WHEN WE WERE KNOWING EACH OTHER, HE WOULD LESS IGNORE YOU 333 00:23:39,351 --> 00:23:41,351 THAN KNOCK YOU INTO THE WALL BY ACCIDENT 334 00:23:41,454 --> 00:23:43,064 FOUR OR FIVE TIMES. 335 00:23:47,393 --> 00:23:49,433 DID YOU WANT TO CALL HIM SHAUN? 336 00:23:53,800 --> 00:23:55,540 WE'D COME OFF TOUR AND BUTCHIE WOULD GO 337 00:23:55,635 --> 00:23:57,835 TO MITCH AND CISSY'S HOUSE THREATENING TO BURN 338 00:23:57,937 --> 00:24:00,567 THAT PLACE DOWN BECAUSE THEY WOULDN'T CALL HIM THAT. 339 00:24:02,609 --> 00:24:06,279 AND THOSE FIRST COUPLE OF YEARS, HE DIDN'T CARE ABOUT ANYTHING. 340 00:24:06,378 --> 00:24:09,848 I MEAN, I THINK THAT'S WHY HE STARTED GOING AERIAL-- HE JUST DIDN'T. 341 00:24:09,949 --> 00:24:11,979 AND WHEN HE SAW THEY WERE TAKING POINTS AWAY, 342 00:24:12,084 --> 00:24:14,994 OF COURSE, HE-- HE JUST MADE IT HIS FUCKING THING. 343 00:24:21,060 --> 00:24:23,560 I THOUGHT "SHAUN" SOUNDED LIKE THE WAVES 344 00:24:23,663 --> 00:24:25,803 WHEN THEY WERE GOING BACK OUT. 345 00:24:25,898 --> 00:24:28,068 AND YOU COME BACK TO SEE HOW YOUR BOY GREW UP. 346 00:24:31,871 --> 00:24:33,941 BEING THAT HIS DAD AND I DON'T TALK ANYMORE, 347 00:24:34,040 --> 00:24:36,280 IT'S PROBABLY BEST YOU DON'T TELL BUTCHIE 348 00:24:36,375 --> 00:24:38,335 WE SAW EACH OTHER. 349 00:24:38,444 --> 00:24:41,784 I DON'T KNOW YET IF BUTCHIE'S TALKING TO ME. 350 00:24:41,881 --> 00:24:44,651 ANYTHING ELSE I CAN DO TO HELP? 351 00:24:49,822 --> 00:24:51,822 FOCUS. 352 00:25:00,032 --> 00:25:01,802 ( knocks on door ) 353 00:25:05,972 --> 00:25:07,572 ( laughs ) 354 00:25:11,410 --> 00:25:13,380 WHAT DO YOU WANT? 355 00:25:13,479 --> 00:25:15,479 NOT BAD, HOW HAVE YOU BEEN? 356 00:25:15,582 --> 00:25:17,852 OH, YOU WANNA PLAY NICE? 357 00:25:17,950 --> 00:25:20,890 YOU LEFT OUR BABY ON MY PARENTS' DOORSTEP. 358 00:25:22,021 --> 00:25:24,161 WE DIDN'T HAVE A DOORSTEP, REMEMBER, BUTCHIE? 359 00:25:24,256 --> 00:25:26,756 HE WAS TWO HOURS OLD! 360 00:25:26,859 --> 00:25:28,759 OR A BED OR FOOD IN THE REFRIGERATOR, 361 00:25:28,861 --> 00:25:30,661 AND OF COURSE NO ONE KNEW WHERE YOU WERE. 362 00:25:30,763 --> 00:25:33,333 I HAD... PASSPORT PROBLEMS. 363 00:25:33,432 --> 00:25:35,332 - I WANT TO SEE SHAUN. - YEAH. 364 00:25:35,434 --> 00:25:39,044 HE'S IN ALL THE PAPERS AND YOU REMEMBER YOU'RE HIS MOTHER? 365 00:25:41,073 --> 00:25:43,213 ( voice cracks ) I NEVER FORGOT I WAS HIS MOTHER. 366 00:25:51,651 --> 00:25:53,491 TURN OFF THE FUCKIN' FAUCET, TINA. 367 00:25:53,586 --> 00:25:55,246 GIVE ME A FUCKIN' BREAK. 368 00:26:11,838 --> 00:26:13,538 SO YOU KNOW WHAT I DO? 369 00:26:13,640 --> 00:26:15,710 EVERYBODY... AT THE SAME TIME 370 00:26:15,808 --> 00:26:17,608 WHILE EVERY DIPSHIT ON THE INTERNET 371 00:26:17,710 --> 00:26:19,180 WHIPS HIS SKIPPY WATCHIN'. 372 00:26:21,147 --> 00:26:24,217 AND YOU'RE PRESIDENT OF THE I.B. MORALITY BRIGADE? 373 00:26:27,453 --> 00:26:29,193 YEAH, I KNOW WHAT YOU DO. 374 00:26:36,228 --> 00:26:38,158 I'D LIKE TO STOP. 375 00:26:39,598 --> 00:26:40,968 I'D LIKE TO BE HIS MOM. 376 00:26:41,067 --> 00:26:42,967 ( snickers ) AIN'T GONNA HAPPEN, TINA. 377 00:26:43,836 --> 00:26:46,406 CISSY'S A PRETTY GOOD HATER. 378 00:26:46,505 --> 00:26:49,405 I SUPPOSE YOU PUTTING A GOOD WORD IN IS OUT OF THE QUESTION? 379 00:26:49,508 --> 00:26:53,078 ME COMING OUT AGAINST YOU WOULD PROBABLY IMPROVE YOUR CHANCES. 380 00:26:54,580 --> 00:26:56,150 I DON'T KNOW WHAT I'M DOING. 381 00:26:59,151 --> 00:27:02,121 WELL, I NEVER LET THAT SLOW ME UP. 382 00:27:02,221 --> 00:27:05,121 I DON'T KNOW WHAT I THOUGHT WAS GONNA HAPPEN. 383 00:27:09,762 --> 00:27:11,502 TELL HER I'M GONNA SEE HIM-- 384 00:27:11,597 --> 00:27:13,197 ONCE, ANYWAY. 385 00:27:16,468 --> 00:27:18,068 TELL HER NOT TO STOP ME. 386 00:27:18,170 --> 00:27:20,710 OR WHAT, YOU'RE GONNA SET YOURSELF ON FIRE? 387 00:27:30,750 --> 00:27:32,950 ALL RIGHT, OKAY. 388 00:27:33,753 --> 00:27:35,553 YOU KNOW MY MOM. 389 00:27:35,654 --> 00:27:37,224 I'LL SUGGEST IT. 390 00:27:38,457 --> 00:27:40,187 THANK YOU. 391 00:27:51,771 --> 00:27:54,171 ( door closes ) 392 00:27:54,273 --> 00:27:56,343 - ( crowd cheering ) - ( competitors thudding ) 393 00:28:02,882 --> 00:28:05,352 Man: GET BACK UP! 394 00:28:09,621 --> 00:28:11,591 NO! 395 00:28:11,690 --> 00:28:13,790 ( people shouting ) 396 00:28:15,962 --> 00:28:17,832 JOHN-- JOHN, DON'T DO THAT. 397 00:28:17,930 --> 00:28:20,300 LOOK, A NEW ECO-WARRIOR. 398 00:28:26,906 --> 00:28:29,076 - ( crowd cheering ) - ( bell rings ) 399 00:28:34,446 --> 00:28:36,046 ( knocks on door ) 400 00:28:43,655 --> 00:28:45,715 IS SHAUNIE STILL IN LOCKDOWN? 401 00:28:45,825 --> 00:28:47,825 WHO WANTS TO KNOW? 402 00:28:49,461 --> 00:28:51,861 - SHE WANTS TO MEET HER SON. - HER SON? 403 00:28:54,867 --> 00:28:57,437 AND YOU COME TO ME? 404 00:28:59,571 --> 00:29:02,711 SHE'S QUITTING... THE BUSINESS. 405 00:29:02,809 --> 00:29:04,439 IT'S "THE BUSINESS" NOW? 406 00:29:04,543 --> 00:29:07,253 SMILIN' AT THE CAMERA WHILE SIX GUYS COME IN YOUR FACE? 407 00:29:07,346 --> 00:29:09,546 LOOK, YOU CAN SUPERVISE OR HAVE HER SIGN SOMETHING, 408 00:29:09,648 --> 00:29:11,778 BUT JUST ONE VISIT AND SHE'S GONE. 409 00:29:11,884 --> 00:29:14,354 IT'S NOT YOUR FUCKING BUSINESS. 410 00:29:14,453 --> 00:29:17,363 IT'S NOT YOUR BUSINESS. AND IF IT WERE YOUR BUSINESS, 411 00:29:17,456 --> 00:29:20,186 TELL ME WHAT GOOD COULD POSSIBLY COME OUT OF LETTING HIM MEET HER? 412 00:29:20,292 --> 00:29:22,392 HEY, I AM THE PRESIDENT FOR LIFE 413 00:29:22,494 --> 00:29:25,204 OF THE TINA-BLAKE-CAN- GO-FUCK-HERSELF CLUB, OKAY? 414 00:29:29,635 --> 00:29:31,235 I THINK SHE MIGHT DO SOMETHING STUPID. 415 00:29:31,337 --> 00:29:33,107 'CAUSE EVERYTHING UP TO NOW'S BEEN HIGH MATH. 416 00:29:33,205 --> 00:29:36,305 NO, I MEAN SHE MIGHT OFF HERSELF. 417 00:29:36,408 --> 00:29:39,448 THAT GIVES HER A RIGHT TO MY GRANDSON? 418 00:29:39,545 --> 00:29:41,975 BECAUSE SHE'S THINKING ABOUT KILLING HERSELF? 419 00:29:42,081 --> 00:29:44,121 WHO DOESN'T THINK ABOUT KILLING HERSELF? 420 00:29:44,216 --> 00:29:46,516 WHO DOESN'T THINK ABOUT IT EVERY DAY OF HER FUCKIN' LIFE? 421 00:29:46,618 --> 00:29:48,918 HEY... JUST DROP IT. 422 00:29:49,021 --> 00:29:50,721 HUH. I THOUGHT YOU WERE AN IDIOT 423 00:29:50,823 --> 00:29:53,093 BEFORE YOU STARTED SHOOTING DOPE, 424 00:29:53,192 --> 00:29:54,962 BUT YOU WERE A 12-YEAR-OLD GENIUS 425 00:29:55,061 --> 00:29:57,231 COMPARED TO THE STUPID FUCK YOU ARE NOW. 426 00:29:57,329 --> 00:30:00,869 AS MUCH ACID AS I TOOK, I WAS NEVER AS STUPID AS YOU. 427 00:30:02,034 --> 00:30:04,174 I'M OUTTA HERE. 428 00:30:04,270 --> 00:30:06,240 TELL HER SHE COMES ANYWHERE NEAR SHAUN, 429 00:30:06,338 --> 00:30:09,078 SHE WON'T HAVE TO KILL HERSELF, I'LL DO IT FOR HER! 430 00:30:18,150 --> 00:30:20,290 ( breathing heavily ) 431 00:30:57,156 --> 00:30:59,956 - ( shop door closes ) - ( sighs ) 432 00:31:00,059 --> 00:31:02,629 WELL, THERE'S ANOTHER DAY OF SENSATIONAL BUSINESS. 433 00:31:04,096 --> 00:31:06,326 IS IT MY MOM GRAM'S ALL PISSED ABOUT? 434 00:31:07,766 --> 00:31:11,066 - I WON'T SAY YOU TOLD. - WILL YOU GIVE ME A BREAK? 435 00:31:11,170 --> 00:31:15,170 WAS IT HER THIS MORNING OUTSIDE THE HOUSE? 436 00:31:15,274 --> 00:31:18,814 I'M NOT SAYING IT WASN'T, ALL RIGHT? 437 00:31:18,911 --> 00:31:21,811 YOU KEEP THAT TO YOURSELF AND DON'T ASK ME ANYTHING ELSE. 438 00:31:21,914 --> 00:31:24,254 WHY'D MY MOM COME BACK? 439 00:31:24,350 --> 00:31:26,150 WAS IT TO SEE ME? 440 00:31:27,386 --> 00:31:29,986 ( sighs ) PROBABLY SEE YOU... 441 00:31:31,690 --> 00:31:33,260 PROBABLY SEE YOUR DAD. 442 00:31:40,366 --> 00:31:41,696 COME ON, GET IN. 443 00:31:41,800 --> 00:31:44,640 I'LL STICK AROUND AND GIVE THINGS A CHANCE TO WORK OUT. 444 00:32:03,922 --> 00:32:05,522 TELL YOUR CUNT MOTHER 445 00:32:05,624 --> 00:32:08,064 IF IT'S 'CAUSE I'M NO GOOD, THAT'S ONE THING. 446 00:32:08,160 --> 00:32:10,130 BUT IF IT'S 'CAUSE I LEFT SHAUNIE AT THE DOOR, 447 00:32:10,229 --> 00:32:11,999 I DIDN'T LEAVE HIM 'CAUSE I DIDN'T CARE. 448 00:32:12,098 --> 00:32:15,028 I STOPPED AN HOUR BEFORE AND I DIDN'T LEAVE HIM 449 00:32:15,134 --> 00:32:18,774 'CAUSE WHEN I RANG THE BELL AND WAITED ACROSS THE STREET, NOBODY ANSWERED. 450 00:32:18,870 --> 00:32:23,010 AND I CAME BACK AND GOT HIM AND SAT WITH HIM IN THE CAB. 451 00:32:23,109 --> 00:32:25,409 AND WHEN SHE CAME HOME, I CAME AND RANG AGAIN. 452 00:32:25,511 --> 00:32:28,281 AND I DIDN'T WALK BACK TO THE CAB TILL I SAW SHE'D GOT HIM. 453 00:32:29,681 --> 00:32:31,481 I WAITED ACROSS THE STREET. 454 00:32:31,583 --> 00:32:34,723 I WAITED TILL SHE CAME OUT AND PICKED HIM UP IN HIS BLANKET. 455 00:32:34,820 --> 00:32:37,490 - OKAY, TINA. - YOU TELL HER I CARED ABOUT HIM. 456 00:32:39,891 --> 00:32:42,831 IF SHAUNIE'D BEEN WITH ME, I'D HAVE HAD TO STAY HIGH TO FUCK. 457 00:32:42,928 --> 00:32:44,728 I'D HAVE BEEN USED UP IN SIX MONTHS, 458 00:32:44,830 --> 00:32:47,530 I'D HAVE BEEN TRICKING FOR NICKELS OUTSIDE THE BUS STATION. 459 00:32:47,633 --> 00:32:50,373 - OKAY. - HE'D HAVE WOUND UP DEAD OR IN AN ORPHANAGE. 460 00:32:50,469 --> 00:32:53,369 ASK HER WHO I WAS SUPPOSED TO LEAVE HIM WITH. 461 00:32:53,472 --> 00:32:56,242 WAS I SUPPOSED TO MAIL HIM TO YOUR DUMPSTER IN CABO? 462 00:32:57,376 --> 00:32:59,176 - SORRY. - YOU TELL HER THAT'S FUCKED 463 00:32:59,278 --> 00:33:01,778 IF IT'S 'CAUSE SHE THINKS I DIDN'T CARE. 464 00:33:01,880 --> 00:33:03,550 ALL THE PROBLEMS YOU HAD WITH HER, 465 00:33:03,649 --> 00:33:06,119 AS A BIG A BALLBUSTER AS YOU TALK ABOUT HER BEING, 466 00:33:06,218 --> 00:33:08,618 I KNEW WITH HER HE'D HAVE SOMEONE PAYING ATTENTION TO HIM. 467 00:33:08,720 --> 00:33:11,120 YEAH, MOM WAS NEVER SHY WITH THE ATTENTION. 468 00:33:11,223 --> 00:33:14,063 PROBLEM WAS JUST GETTING HER OUT OF YOUR FUCKIN' FACE. 469 00:33:22,034 --> 00:33:23,974 WOULD YOU TELL HIM HE GREW UP HANDSOME? 470 00:33:24,070 --> 00:33:26,270 I WAS PROUD HE WON HIS EVENT. 471 00:33:31,310 --> 00:33:34,210 COME ON. TELL HIM YOURSELF. 472 00:33:51,697 --> 00:33:53,827 WHAT A DAY. 473 00:33:53,932 --> 00:33:56,032 WHAT A GREAT DAY, HUH, JOHN? 474 00:33:56,135 --> 00:33:59,135 GOT TO MEET SOME HARE KRISHNAS, 475 00:33:59,238 --> 00:34:01,038 HANG OUT WITH SOME ECO-WARRIORS. 476 00:34:01,140 --> 00:34:04,610 YOU GOT TO DANCE IN YOUR FIRST LITTLE DRUM CIRCLE. 477 00:34:04,710 --> 00:34:06,210 WORK HERE, CASS. 478 00:34:07,446 --> 00:34:09,316 SO WHAT I'M THINKING IN TERMS OF GETTING 479 00:34:09,415 --> 00:34:12,015 THIS WONDERFUL WORK SEEN BY AS MANY EYES AS WE CAN, 480 00:34:12,118 --> 00:34:14,148 IS YOU KNOW, MAYBE-- 481 00:34:14,253 --> 00:34:17,563 MAYBE I SHOULD GET BACK IN TOUCH WITH LINC STARK. 482 00:34:17,656 --> 00:34:19,986 I MEAN, IF I HAD TO EAT A LITTLE CROW 483 00:34:20,092 --> 00:34:23,532 AND GO BACK TO WORK ON SOME OTHER PROJECT, 484 00:34:23,629 --> 00:34:26,899 TO ACCESS, YOU KNOW, LINC'S EXPERIENCE 485 00:34:26,998 --> 00:34:29,468 AND THE STRUCTURE OF HIS ORGANIZATION, 486 00:34:29,568 --> 00:34:32,798 IT'D BE FOR THE SAKE OF THIS GREAT WORK WE'RE DOING. 487 00:34:32,904 --> 00:34:36,284 - YOU KNOW WHAT I MEAN? - I KNOW WHAT YOU MEAN. 488 00:34:37,843 --> 00:34:40,113 OR, AS AN ALTERNATIVE, JOHN, 489 00:34:40,212 --> 00:34:41,952 YOU COULD TAKE YOUR HAND OFF MY CHEEK 490 00:34:42,047 --> 00:34:45,347 AND GO UP IN THE AIR LIKE I SAW MITCH YOST DO IN THIS VERY ROOM. 491 00:34:50,122 --> 00:34:52,422 I KNOW THAT THERE'S SOMETHING GOING ON. 492 00:34:54,226 --> 00:34:57,426 AND I DON'T DOUBT THAT YOU'RE IN THE MIDDLE OF IT, JOHN. 493 00:34:57,529 --> 00:34:59,669 BUT THE THING-- 494 00:34:59,765 --> 00:35:02,465 YOU KNOW WHAT THE THING IS, 495 00:35:02,568 --> 00:35:04,598 IS THAT I AM STILL A GIRL... 496 00:35:06,338 --> 00:35:08,068 FROM HIBBING, MINNESOTA. 497 00:35:08,174 --> 00:35:10,114 I STILL GREW UP HUNGRY, 498 00:35:10,209 --> 00:35:11,479 AND I STILL WANT TO HAVE A SAY 499 00:35:11,577 --> 00:35:13,677 WHAT PART I PLAY IN THE CHRISTMAS PAGEANT. 500 00:35:17,716 --> 00:35:19,816 SHOW ME THAT I HAVE A LITTLE PULL. 501 00:35:21,253 --> 00:35:24,323 GO UP IN THE AIR FOR CASS-KAI. 502 00:35:27,293 --> 00:35:29,203 THE CAMERA'S UP IN THE AIR. 503 00:35:33,899 --> 00:35:35,799 GET YOUR HANDS OFF ME. 504 00:35:37,869 --> 00:35:39,669 IT'S IN THE CAMERA? 505 00:35:39,771 --> 00:35:41,711 IT'S IN THE CAMERA. 506 00:35:43,742 --> 00:35:45,912 WORK HERE, CASS. 507 00:35:48,880 --> 00:35:51,150 OKAY. 508 00:35:51,250 --> 00:35:54,890 OKAY, HMM, HERE WE GO. 509 00:35:54,986 --> 00:35:56,656 ( chuckles ) 510 00:35:56,755 --> 00:35:58,515 ABRACADABRA. 511 00:35:58,624 --> 00:36:01,394 TRANSFORMING MY WORK AREA... 512 00:36:02,828 --> 00:36:04,798 INTO YOUR SLEEP AREA. 513 00:36:04,896 --> 00:36:06,696 - HMM? - MM-HMM. 514 00:36:09,868 --> 00:36:12,168 I'M GONNA FIND IT IN THE CAMERA TOMORROW. 515 00:36:17,343 --> 00:36:20,753 LOOK, JOHN, A LEAP OF FAITH, HUH? 516 00:36:25,284 --> 00:36:27,324 ABRACADABRA. 517 00:36:29,921 --> 00:36:31,891 ( inhales ) 518 00:36:34,826 --> 00:36:36,656 ( dog barking ) 519 00:37:00,051 --> 00:37:03,421 Butchie: LET'S HANG OUT ALL NIGHT AND STEAL THEIR MORNING PAPER. 520 00:37:24,075 --> 00:37:26,075 YOU SAVED THEIR LIFE, TINA... 521 00:37:26,177 --> 00:37:28,647 GIVING HER SHAUNIE. 522 00:37:28,747 --> 00:37:31,717 MAN, THINGS WERE SO FUCKED UP BACK THEN. 523 00:37:33,652 --> 00:37:35,922 DAD WAS HURT. 524 00:37:36,021 --> 00:37:38,591 THEY WEREN'T THAT LONG BACK FROM THE ISLANDS. 525 00:37:38,690 --> 00:37:41,290 I KNOW A LOT OF SHIT WENT DOWN OVER THERE, I THINK. 526 00:37:42,428 --> 00:37:43,998 MAYBE STEPPING OUT ON EACH OTHER. 527 00:37:46,064 --> 00:37:50,004 - A LOT OF ACID. - EVEN AFTER YOU WERE DONE STEALING FROM THEIR STASH? 528 00:37:50,101 --> 00:37:52,771 THAT WAS A NATURE PROJECT FOR SCHOOL. 529 00:38:00,412 --> 00:38:03,622 IT WAS COMING APART AT THE SEAMS FOR MY MOM, WHAT I'M TRYING TO SAY. 530 00:38:03,715 --> 00:38:05,615 SURE WASN'T DOING YOU ANY GOOD. 531 00:38:05,717 --> 00:38:08,287 THE SECOND SHE'D LAY EYES ON YOU, SHE'D START SCREAMING. 532 00:38:08,387 --> 00:38:11,057 WELL, MAYBE IT'S BECAUSE SHE LAID EYES ON YOU. 533 00:38:13,191 --> 00:38:14,861 IT WASN'T A BURDEN YOU PUT ON HER. 534 00:38:14,960 --> 00:38:18,400 YOU KNOW, GETTING SHAUNIE TO HOLD WAS A GIFT. 535 00:38:18,497 --> 00:38:20,867 SHE HELD ON REAL TIGHT A LONG FUCKIN' TIME. 536 00:38:49,561 --> 00:38:51,961 ( dog barking ) 537 00:39:02,107 --> 00:39:03,707 GET INSIDE. 538 00:39:05,243 --> 00:39:07,183 TONIGHT IS THE WRONG NIGHT 539 00:39:07,278 --> 00:39:09,008 TO BE CREEPING AROUND. 540 00:39:09,114 --> 00:39:11,054 ( whispers ) SHE'S OUTSIDE. 541 00:39:13,184 --> 00:39:14,724 WHAT? 542 00:39:16,655 --> 00:39:19,015 LIKE EVERY OTHER THING YOU CAN'T HIDE HIM FROM. 543 00:39:20,859 --> 00:39:22,629 NOW LET'S GO ASK REAL NICE IF YOU CAN GO PEEK 544 00:39:22,728 --> 00:39:24,528 ON HOW GOOD HE TURNED OUT. 545 00:39:30,636 --> 00:39:32,096 HOW DO YOU KNOW SHE'S OUT THERE? 546 00:39:32,203 --> 00:39:35,873 - SHE'S WITH BUTCHIE. I SAW THEM. - THEY SEND YOU IN HERE? 547 00:39:35,974 --> 00:39:39,454 I SAW THEM, CISSY. I WENT AROUND BACK SO THEY WOULDN'T SEE ME. 548 00:39:39,545 --> 00:39:41,475 TO TELL ME TO LET HER IN? AND HIM? 549 00:39:41,580 --> 00:39:43,880 SO THEY CAN FUCK UP SHAUNIE LIKE EVERYTHING ELSE? 550 00:39:51,723 --> 00:39:53,993 OH MY GOD. OH MY GOD. 551 00:39:54,092 --> 00:39:58,132 SHOOT ME THEN. TAKE THAT GUN AND SHOOT ME IF YOU WANT HER TO SEE HIM. 552 00:40:00,999 --> 00:40:03,069 YOU SIT DOWN, CISSY. YOU SIT DOWN AT THAT TABLE. 553 00:40:05,771 --> 00:40:07,571 LIGHT YOURSELF A CIGARETTE. 554 00:40:07,673 --> 00:40:09,143 ( knocks on door ) 555 00:40:43,642 --> 00:40:45,582 SHE ONLY WANTS TO LOOK AT HIM, MOM... 556 00:40:46,612 --> 00:40:48,082 THEN SHE'LL GO. 557 00:40:57,623 --> 00:41:00,093 HE'S SLEEPING. 558 00:41:00,191 --> 00:41:02,161 DO NOT WAKE HIM UP. 559 00:41:47,539 --> 00:41:49,239 THANK YOU. 560 00:42:26,211 --> 00:42:28,451 ( whispers ) HEY, WHERE ARE YOU GOING WITH MY GUN? 561 00:42:28,546 --> 00:42:30,876 ( whispers ) OUT OF YOUR FUCKIN' HOUSE. 562 00:42:32,350 --> 00:42:34,090 ( door closes ) 563 00:43:06,251 --> 00:43:07,951 ( crickets chirping ) 564 00:43:12,758 --> 00:43:15,228 WHAT DO YOU SEE? 565 00:43:18,496 --> 00:43:20,426 THE STARS. 566 00:43:20,531 --> 00:43:22,601 UH... 567 00:43:26,171 --> 00:43:28,141 UH, CLOUDS-- 568 00:43:28,239 --> 00:43:31,009 OF COURSE LOWER DOWN. 569 00:43:36,481 --> 00:43:38,381 PARTIAL MOON. 570 00:43:42,688 --> 00:43:45,058 PLANE GOING WHO KNOWS WHERE. 571 00:43:47,058 --> 00:43:48,888 A BLOODBATH. 572 00:43:50,561 --> 00:43:52,031 DESTINATION BLOODBATH, 573 00:43:52,130 --> 00:43:56,200 PLANE GOING WHO KNOWS WHERE. ALL ABOARD! 574 00:43:56,301 --> 00:43:57,941 PREPARE FOR WAR, MY BROTHER. 575 00:43:58,036 --> 00:44:00,506 PREPARE FOR WAR! ALL ABOARD! 576 00:44:00,605 --> 00:44:02,065 PLANE GOING WHO KNOWS WHERE! 577 00:44:02,173 --> 00:44:03,743 ALL ABOARD! 578 00:44:09,948 --> 00:44:12,078 I'M GIVING HAWAII TO MOANA. 579 00:44:15,486 --> 00:44:17,956 WOW. WOW. 580 00:44:18,056 --> 00:44:19,516 OH-- WHOA... 581 00:44:19,624 --> 00:44:20,994 WOW. 582 00:44:21,092 --> 00:44:23,162 HE'S GONNA THINK I MEAN TO KILL HIM. 583 00:44:24,930 --> 00:44:27,130 COME TRY TO KILL ME. 584 00:44:38,243 --> 00:44:40,153 BUTCHIE. 585 00:44:44,315 --> 00:44:47,685 - HE DON'T LOOK DOPE SICK. - AIN'T DOPE SICK. HE AIN'T USING, 586 00:44:47,786 --> 00:44:50,086 WHAT I OVERHEARD UNDER THE HALF-PIPE. 587 00:44:53,358 --> 00:44:55,828 Freddy: THINK MAYBE HE'S COPPIN' SOMEWHERES ELSE? 588 00:44:55,927 --> 00:44:58,527 I PUT IT OUT THERE-- NO HARM, NO FOUL. 589 00:44:58,629 --> 00:45:01,469 YOU'VE GOT A SPECIAL HISTORY WITH HIM-- 590 00:45:01,566 --> 00:45:03,326 WE JUST WANT TO BE NOTIFIED. 591 00:45:17,816 --> 00:45:20,886 ( faucet dripping ) 592 00:45:57,488 --> 00:45:58,518 ( gunshot ) 593 00:45:58,623 --> 00:46:00,933 ( romantic ballad playing ) 594 00:46:02,828 --> 00:46:05,058 FUCK YOU. 595 00:46:08,099 --> 00:46:10,399 ( jazz music playing ) 596 00:46:19,077 --> 00:46:21,077 HEY. 597 00:46:28,954 --> 00:46:30,494 WE KNOW EACH OTHER. 598 00:46:32,757 --> 00:46:34,827 I WAS WONDERING WHAT YOU WANTED TO DRINK. 599 00:46:36,995 --> 00:46:39,055 A COSMOPOLITAN. 600 00:46:44,669 --> 00:46:46,439 DID YOU GET TO SEE SHAUN? 601 00:46:48,874 --> 00:46:51,044 ANY CASUALTIES? 602 00:46:53,478 --> 00:46:55,478 HOW DO YOU FEEL? 603 00:46:56,714 --> 00:46:58,824 LIKE NOW I'VE GOTTA LEAVE TOWN. 604 00:46:58,917 --> 00:47:01,187 IT'S NIGHTTIME, FOR CHRIST'S SAKE. 605 00:47:01,286 --> 00:47:03,146 IT'S BAD LUCK TO LEAVE TOWN AT NIGHT. 606 00:47:04,122 --> 00:47:06,292 - FOR THE DRINK. - I PAY. 607 00:47:09,460 --> 00:47:11,600 I PAY. 608 00:47:11,696 --> 00:47:13,656 - YOU SPEAK SPANISH? - Bartender: NO. 609 00:47:13,764 --> 00:47:16,104 HMM, I... AM MUCHO HOMBRE 610 00:47:16,201 --> 00:47:18,071 AND WE'LL DO OUR DRINKING IN THE ROOM. 611 00:47:18,169 --> 00:47:20,009 THANKS. 612 00:47:23,909 --> 00:47:25,439 KEEP ME IN THE GAME. 613 00:47:35,887 --> 00:47:38,917 ( classic rock playing )